Structure and Unwatchable SNL

 

The use of structure in the technical approaches we select in addressing managerial problems allows us to solve recurrent problems with known successful strategies. Often these structures will accommodate analogous situations as well, and we can engage them with a similar expectation of success. But what happens if the new problem isn’t all that analogous, or if the structure is unsound in the first place?

The NBC variety show Saturday Night Live first aired in 1975, and is one of America’s longest-running television shows. It has met with considerable critical and financial success in that time, owing mostly to its mix of talented writers and performers. One week ago Saturday, on May 11, SNL was hosted by former cast member Kristen Wiig, who performed in several sketches as characters she had played during her time as a regular cast member. Her performance reminded me of the many ways that SNL’s tendency to be highly formulaic in their sketch writing has made much of the show, well, unwatchable. Here are some examples of what I’m talking about:

·         Any and all “Gilly” skits. “Gilly” is a mischievous little girl, played by Wiig. She does silly and destructive things, after which her father gravely intones “Gilly!”, and she replies “Yeth.” And, “yeth,” that’s the extent of these skits’ humor.

·         A staple of athlete guest-host, the skit where a sports team is in the locker room at halftime, and dialogue establishes that they are significantly behind. The guest host/team leader tells the story of a previous team that rallied under similar circumstances, having been inspired by some dopey song, a recording of which is played (and usually danced to). In my opinion, this template is vacuous and stupid.

·         Tina Fey’s “impersonations” of Sarah Palin, usually on the Weekend Update segment. These involve no jokes or traditional humor, with the New York City audience howling with derisive laughter at what are essentially nothing more than a string of mean-spirited mocks and insults. When the SNL writers couldn’t mock Palin for anything she had actually said, they made up something for her to say (“I can see Russia from my house!”), and then mocked her for that.

·         “Garth” and “Ann,” supposed folk-music recording artists who readily offer to sing on Weekend Update, but don’t have any songs at the ready. Instead, Fred Armisted and Kristin Wiig sit there and make up songs on-the-fly, while trying to sing the same words and melody. It was never funny, but now it’s foursquare in the Unwatchable category.

·         The skits where a new girlfriend is brought home – usually by Fred Armisted’s character – to meet his extended family, who all greet each other by excessive kissing, usually open-mouthed, even among brothers. Any sign of discomfort at this bizarre behavior comes as a shock to this family. Again, started out as simply unfunny, and through repetition has become unwatchable.

·         “Pig,” the Target cashier, also played by Kristen Wiig. Pig comments excessively on the items that customers purchase, and will go and fetch things for herself when they strike her fancy. Early versions would have a manager step in and announce “Classic Pig!” when Wiig would proclaim some improbable use for various items. Male guest-hosts are invariably shoe-horned in to the skit as stock boys with an unrequited crush on Pig.

·         Film shorts featuring Laser Cats. Cute the first time, not so much the second, and now unfunny and careening into unwatchable, no matter which celebrity is snuck in to the film short.

·         Lady Gaga’s film short on being in a threesome with Andy Samberg and another male cast member (I can’t remember which, ‘cuz it was unwatchable).

·         The “Secret Word” skits. A take-off of Password, Wiig plays the “celebrity” member of one team, but always says the word that her partner is supposed to guess. This “celebrity” is a washed-up Broadway actress who, when not blowing the secret word, waxes interminably about some previous part she had played. Started cute, but through repetition has become unwatchable.

Since Kristen Wiig appears in many of these examples, I’m tempted to reverse-engineer the structure that SNL writers employ and describe it as being characterized by a certain laziness of thought, with an expectation that Wiig’s timing and comic ability will make up for it. I don’t know – maybe there’s even a skit template library that the writers invoke when they are fresh out of fresh ideas. The point here is that, even in the most successful of franchises, structures and templates and canned strategies, even the ones that had perhaps lead to previous successes, can end up resulting in very poor management decisions.

Even on Saturday Night Live.